*Eligible new and in-stock product must be purchased between January 24, 2020, and February 29, 2020. Must submit claim by March 31, 2020, online at YamahaPianos.com to qualify. Must provide electronic copy of receipt with serial number from an authorized Yamaha dealer. Rebate awarded as VISA gift card, valid wherever VISA is accepted. Limit one claim per person/group/institution, per product, and per address, as allowed by law. Must be 18 years or older. For additional details, visit YamahaPianos.com
History of Yamaha Pianos
You can hear the distinctive sound of Yamaha pianos in concert halls, recording and rehearsal studios, places of worship, and educational institutions through out the land.
Here’s a brief history of the more than a hundred years that shows how one man’s dream to craft the world’s finest concert grand pianos became a reality, thanks to the efforts of a century’s worth of skilled craftsmen and musicians.
1900 – 1949
The first piano to be made in Japan was an upright built in 1900 by Torakusu Yamaha, founder of Nippon Gakki Co., Ltd. — later renamed Yamaha Corporation. Just two years later, the Nippon Gakki factory resonated with the tones of its first grand piano. During this early period, the company focused on manufacturing instruments for the Japanese market, where interest in Western classical music was still relatively new. Even so, Torakusu did send one of his pianos to the 1904 St. Louis World’s Fair, where it received an Honorary Grand Prize.
By the 1920s, Yamaha craftsmen were regularly traveling overseas to gain knowledge of the latest European piano production techniques. In 1926, the company invited Ale Schlegel, an expert piano technician from Germany, to visit with the craftsmen at the Nippon Gakki facilities in Hamamatsu, Japan and discuss piano making in exhaustive detail. Schlegel’s advice yielded a much improved product. Before long, well-known European pianists were taking favorable note of Yamaha instruments, among them Arthur Rubinstein and Leo Sirota.
1950 – 1959
In 1950, Yamaha released the FC concert grand piano to great acclaim. Spurred on by that model’s success, the company built one new facility after another in its continuing quest to make an even better piano. In 1956, the company completed work on Japan’s first computer-controlled artificial drying room, where the moisture content of wood — a vital factor for any piano — is adjusted to the optimum level after the natural drying process is complete. In 1958, Yamaha set up a grand piano assembly line at its Hamamatsu headquarters.
1960 – 1969
At the start of the 1960s, Yamaha made a major move, creating a new company in the U.S.A. to import and distribute its pianos: Yamaha International Corporation. By 1965, Yamaha was producing more pianos than any other manufacturer.
In that same year, Cesare Tallone, one of Europe’s most respected piano technicians, came to Japan and visited the Yamaha factory. Deeply impressed by its facilities and employees, he elected to work with the company on the development of a new world-class concert grand. Over the next two years, Yamaha craftsmen-built prototypes that were evaluated by several highly regarded pianists; their feedback was then incorporated into further new designs. Finally, in November 1967, the CF concert grand piano was unveiled during a banquet at Tokyo’s Hotel Okura. Playing the piano on that occasion was Wilhelm Kempff, who went on to call it “one of the top pianos in the world.”
The CF, along with the simultaneously introduced C3 grand piano, took the world by storm — with a little help from an all-time great. Sviatoslav Richter’s first encounter with a CF occurred at a January 1969 concert in Padua, Italy. The Russian maestro chose to play one again later that year at the Menton Music Festival in France, after testing several pianos from different manufacturers during rehearsal. Richter played (and praised) Yamaha pianos from that point forward, marking the beginning of a relationship with the company that would last for the rest of his life.
1970 – 1979
During Sviatoslav Richter’s first Japanese tour in 1970, he performed at the Osaka World’s Fair on a CF bearing the serial number 1000000 — the one-millionth piano manufactured by Yamaha. One by one, European music festivals adopted the CF as their official piano, including the Antibes, Saint Tropez and Menton Festivals in France. Samson Francois, Tamás Vásáry, Byron Janis, Lívia Rév, Alexis Weissenberg and Georges Cziffra were among the many pianists who favored the CF, as its fame around the world continued to spread.
1980 – 1989
Another legendary pianist was drawn to Yamaha in 1980. Glenn Gould purchased two CFs that year and used them on the final three albums he made before his tragically early death in 1982 at the age of 50, including his second reading of J.S. Bach’s Goldberg Variations, now regarded as an all-time classic.
With new concert halls springing up all over Japan at that time, Yamaha craftsmen were inspired to develop a concert grand piano for a new generation. Building on the CF’s successes, they again went to work developing a series of prototypes, each of which was evaluated by top pianists. Krystian Zimerman was so pleased with his that he took it with him on a European tour. After further improvements, Yamaha craftsmen unveiled the CFIII in 1983. It was an instant hit, designated as the official piano of East Germany’s International Johann Sebastian Bach Competition, Poland’s International Chopin Piano Competition and the Soviet Union’s International Tchaikovsky Competition.
Yamaha also created a new kind of piano in the 1980s with the Disklavier, which made its American debut in 1987 (an earlier model called Piano Player was introduced in Japan in 1982). Originally designed as an acoustic piano outfitted with electronic controls for recording and playback, it has been updated and refined as technology has evolved in the decades since.
1990 – 1999
In 1991, Yamaha reached the impressive manufacturing milestone of five million pianos. The company also introduced the successor to its CF and CFIII concert grand pianos: the CFIIIS, which underwent two further upgrades in 1996 and 2000. At the Moscow Conservatory in July 1998, a young Russian pianist named Denis Matsuev took the International Tchaikovsky Piano Competition’s top prize performing on a CFIIIS.
2000 – 2009
The Japanese music world celebrated in 2002 when Ayako Uehara won the 12th International Tchaikovsky Competition. She was both the first Japanese winner and the first female winner in the contest’s history — and she did it on a Yamaha CFIIIS. A decade that marked the 100th anniversary of Yamaha’s piano production also saw the CFIIIS become the official piano of more than 20 major international competitions.
2010 – Present
After 19 years of research and development, the Yamaha CF Series concert grand piano, successor to the CFIII, made its debut in May 2010. Later that year, the winners of both the National (U.S.) and International Chopin Piano Competitions made history playing a CFX piano. In 2016, Yamaha celebrated the Disklavier’s 30th anniversary by releasing its seventh iteration, the ENSPIRE. That same year, Yamaha received a prestigious “Top 100 Global Innovator” award from Thomson Reuters for the third consecutive year. 2017 saw the launch of the SX Series, a premium grand piano line that incorporates A.R.E., the wood-reforming process used in top product lines of other Yamaha divisions.
What will come next? If the past hundred-plus years are anything to go by, you can be certain that Yamaha will continue to make pianos of the highest quality for a long time to come.
What kind of piano should a beginner buy?
This is a question that has been asked by every parent looking to give their children an instrument to practice on while taking piano lessons. Most professionals believe pianos that have real weighted keys, touch sensitive actions, and 88 keys are minimal requirements. The Yamaha Clavinova Digital Pianos are accepted by many Universities and Piano Labs for Piano majors to practice on and so would be an excellent choice for parents in many cases.
Can I buy an inexpensive piano for their lessons at first?
If you have a quality piano teacher and your child takes lessons for 4 or more years, the cost is something like this: $150 times 12 equals $1,800 per year and this times 4 years equals $7,200. Why would you not get the best piano you can to take advantage of these years making both student and teacher happy.
Should we purchase an Acoustic Piano or Digital?
Until recently the best answer was acoustic because of multiple factors; However, the better Digital Pianos like the Yamaha Clavinova have gotten so good, and don’t ever need tuning, and students can practice with headphones. But I strongly recommend listening to your teacher for advise about this. Yamaha has wonderful acoustic and digital pianos for this very situation and is one of the most respected pianos in the world.
Should I buy new or used?
When you purchase a new instrument, you will get a warranty. Good quality pianos will look, feel, and play well. When you purchase used you may not have the experience to even know it is playing like it should or not. Each used instrument is a unique set of circumstances and actually may help teach bad habits, and incorrect hearing. I went to college with a man who had perfect pitch, but had learned incorrectly on an out of tune old upright.
Disklavier Radio Setup
Your New Yamaha Disklavier
How to get your Disklavier Radio for your Yamaha Disklavier Enspire?
Watch the following full video and look through the Owners Manual. After that is the place to purchase other music. The link at the bottom of the page is a link to the website to get your free Disklavier Radio.
What are the Benefits of achieving Piano level 2?
- Substantial increase in neural connectivity
- Significantly higher SAT scores
- Greatly reduced risk of drug/alcohol abuse
- Notable reduction of anti-social behaviors
- Increased self esteem
- Enhanced ability to concentrate/focus
- Development of personal discipline
- Superior working memory, auditory skills, and cognitive flexibility
Kids who quit music lessons usually quit early. Once they get to a level where they can play well they’re not likely to quit! Your goal should be to help your child get to Level 2. Once they’re at Level 2, they will almost always never stop playing the piano!
Here’s how we define Level 2:
The ability to read an intermediate piece of music; play using both hands; use the expression pedals; and sound musical.
In other words, kids who get to Level 2 become smarter, happier and more well-rounded!
Helping your child reach Level 2 on piano is the single most effective way you can give them a leg up in life!
What Piano Level Am I
Primer (Level pre-1):
- Knows finger numbers
- Knows musical alphabet
- Basic staff awareness
- Basic keyboard awareness
- Can play one hand at at time
- Has proper hand placement and form
- Developing rhythm and steady beat
- Generally music from method books
- Generally practices 10-15 mins/day
Beginner (Levels 1-2):
- Bass and Treble Clef
- Plays both hands together
- Play rhythms more comfortably
- Keeps steady beat
- Left hand plays mainly basic chords
- Dynamics and articulations
- Can play C, G, and F key signatures
- Generally practices 15-20 mins/day
Late Beginner (Level 3):
- Major and minor chords, scales, and arpeggios
- Left hand becomes more complex
- More complex rhythms introduced
- Can play songs with 2 flats/sharps
- Technique developing
- Sight reading developing
- Musicality developing
- Generally practices 20-30 mins/day
Often people ask “What piano level am I, and why does it matter?”Many educators rank piano levels as the above: